Monday, March 5, 2012

O Captain! My Captain’ is a moving poem in which Whitman expresses his profounD sense of grief at a tragic end of a leader of men is addressed to Abraham Lincoln, one of the greatest presidents of the United States of America, who fought a war (the American Civil War) against the Southern States to give the Negro slaves freedom and human dignity. The war was won, the slaves were freed, but Lincoln, soon after his election as president for a second term, fell a victim to an assassin’s bullet.
The leader is being conceived as the brave captain of a ship who falls dead on the deck just when the journey is over and the victory is won. Whitman delivers the message to the captain and declares that their fearful and dangerous trip is done. Their ship had passed every destructive encounter and their reward that they longed for is won. Their weary ship is drawing near the sea-port, the church bells are ringing to celebrate a victory and the people are rejoicing. Yet in the midst the celebration, he sees that within the grim and the daring vessel, his heart would spill continuously with drops of blood of immense sadness to see his captain lying cold and dead.
Whitman pleads desperately to the captain to get up from his bed and see that the people are flying the flag just for him. The people are blowing their trumpets and bugles and are waiting to present him with bunches of flowers and decorated garlands to honour him-the victor. The seashores are swaying with crowds of cheering people. All the faces of the people on the shore are eager to see the captain addressing them from the deck. Yet the captain, a father to all people of the nation slept still and cold with his arm beneath his head. It is like an unbelievable bad dream that the leader is dead at the moment of victory
Yet the captain does not answer still. His lips are extremely pale and not moving. Whitman says that his father does not feel his arm, and has neither pulse nor movement. The ship has finally reached the shore. It has dropped its anchor safe and sound. The long tiring voyage is closed and done. The triumph for the achievement is worth the effort. Whitman encourages the people on the shores to continue rejoicing and ring those bells as loud as possible. For him he will walk the heavy steps with deep sadness to the deck where his captain lies absolutely cold and dead.


AARON VERDES

ROLL NO- 38

Monday, February 27, 2012

ENGLISH LITERATURE ASSIGMENT 1

The Haunted House
The Haunted House written by Virginia Wolf starts with Jim and Sara with their children go to Gracey Manor and Mr. Gracey is enamored with Sara and they discover that Sara looks like Mr. Gracey's old girlfriend who died young and they think it was a suicide but discover that she was murdered.
Jim Evers, his wife and business partner Sara gets a call late one night from mansion owner Edward Gracey, who is looking to sell his property. Smelling the biggest deal of their career, Jim, Sara and their two children pay a visit to the mansion, located on a remote area. A torrential thunderstorm of mysterious origin strands the Evers family in the old mansion with the brooding, eccentric Gracey, his mysterious butler, Ramsley, and a variety of residents both seen and unseen. At first Jim scoffs at Gracey's stories about ghosts and hauntings, until he unearths the mystery of the mansion and finds that his wife Sara has unexpected connections to its haunted past.On the day of their anniversary, workaholic and real estate agent Jim Evers and his wife Sara receive a strange phone call from a man called Ramsley. He requests that Sara come to the mysterious Gracey Manor. Jim decides to turn it into an opportunity to check out a possible gold-mine in real estate, but to please Sara, he claims it is a "family trip", bringing the kids along. Once there, Ramsley the butler insists that they stay, for a big storm is on the way. The Evers are introduced to Master Gracey, who seems strangely obsessed with Sara. Jim goes off to talk to Gracey about selling, but ends up in a secret passage instead. The kids follow a floating ball to the attic, where they see a painting of a woman who looks just like Sara, Jim and the kids eventually discover the mansion's dark secret from Madame Leota, a talking head in a crystal ball. She tells them that Sara is in danger and to save her, they must "lead the ghosts to the light." After some spooky adventures and surprises, the family manages to save the manor and Sara……
NAME- Viraj Naik
ROLL NO- 27

ENGLISH LITERATURE ASSIGMENT 2

My Son the Fanatic
It’s a story written by Hanif Kureishi about a boy Parvez who was born in Lahore, Pakistan, and as a child was asked to study the Holy Scriptures through a Maulvi. When the Maulvi session starts his sermon, Parvez would fall asleep, this lead to the Maulvi devising a unique punishment, which ultimately compelled Parvez to stop attending. When he grew up, his marriage was arranged with Minoo and they immigrated to a small town in Britain, where Parvez started to make a living driving a taxi, and found he free from all religious activity. 25 years later, Parvez turns into a alcoholic person and, still driving a cab, while people who had immigrated after him have their own businesses and are wealthier than him. Parvez now has a grown son, Farid and is to be engaged to Madeleine Fingerhut, who is the daughter of the local Chief Inspector. After the two families' meet, Farid has a sudden change of heart when he notices that the Chief Inspector detests his family, and it slowly dawns on him that he and his girlfriend are quite different, and he cannot be part of a culture that relies solely on filth, along with a mix of Caucasian and Jewish propaganda against Islam. He starts reciting the Holy Quran, and asks permission from his dad to invite some religious leaders from Pakistan, after receiving consent; they do arrive to live in Parvez's home after being invited. It is here that Parvez will find that Farid has broken off the forthcoming engagement with Ms. Fingerhut, and has become a born again Muslim. His wife, Minoo, has taken to wearing the Hizaab, remains in the kitchen all day, and is not even permitted to sup or dine with her family, while Parvez finds that he cannot even sleep in his bedroom. Things start to heat up when Farid finds out that his dad has been patronizing a prostitute by the name of Beltina, whose real name is Sandra, and he also notes that his dad is her pimp. Then he and his colleagues set about to cleanse this town of its prostitutes - leading to a confrontation between him and his dad - a confrontation that may split his family forever.
The gentle friendship between Parvez, a pathetic Pakistani taxi driver and Bettina, a young prostitute gradually develops into a deeper and more passionate relationship as Parvez's home life gradually crumbles. This is due to his son's, Fravid, gradual rejection of Western institutions and values and acceptance of Islamic Fundamentalism. More pressure is brought to bear by a German business man Schitz who makes continual use of both Parvez and Bettina in their professional capacities culminating in his demand for them to organize and to impress some local business colleagues. Everything comes to a head when Farvid and his group decide to rid the town of its corrupting influence and attack the local prostitutes trapping Parvez in the middle forcing him to decide just where his loyalties lies. At last the son says, who’s the fanatic is now.
NAME- Trishi Dua
ROLL NO- 10

Sunday, February 26, 2012

The Old Man and the Sea

The Old Man and the Sea is the story of an epic struggle between an old, seasoned fisherman and the greatest catch of his life. For eighty-four days, Santiago, an aged Cuban fisherman, has set out to sea and returned empty-handed. So conspicuously unlucky is he that the parents of his young devoted apprentice and friend, Manolin have forced the boy to leave the old man in order to fish in a more prosperous boat. Nevertheless, the boy continues to care for the old man upon his return each night. He helps the old man tote his gear to his ramshackle hut, secures food for him, and discusses the latest developments in American baseball especially the trials of the old man’s hero, Joe DiMaggio. Santiago is confident that his unproductive streak will soon come to an end, and he resolves to sail out farther than usual the following day.

On the eighty-fifth day of his unlucky streak, Santiago does as promised, sailing his skiff far beyond the island’s shallow coastal waters and venturing into the Gulf Stream. He prepares his lines and drops them. At noon, a big fish, which he knows is a marlin takes the bait that Santiago has placed one hundred fathoms deep in the waters. The old man expertly hooks the fish, but he cannot pull it in. Instead, the fish begins to pull the boat.

Unable to tie the line fast to the boat for fear the fish would snap a taut line, the old man bears the strain of the line with his shoulders, back, and hands, ready to give slack should the marlin make a run. The fish pulls the boat all through the day, through the night, through another day, and through another night. It swims steadily northwest until at last it tires and swims east with the current. The entire time, Santiago endures constant pain from the fishing line. Whenever the fish lunges, leaps, or makes a dash for freedom, the cord cuts Santiago badly. Although wounded and weary, the old man feels a deep empathy and admiration for the marlin, his brother in suffering, strength, and resolve.

On the third day the fish tires, and Santiago, sleep-deprived, aching, and nearly delirious, manages to pull the marlin in close enough to kill it with a harpoon thrust. Dead beside the skiff, the marlin is the largest Santiago has ever seen. He lashes it to his boat, raises the small mast, and sets sail for home. While Santiago is excited by the price that the marlin will bring at market, he is more concerned that the people who will eat the fish are unworthy of its greatness.

As Santiago sails on with the fish, the marlin’s blood leaves a trail in the water and attracts sharks. The first to attack is a great mako shark, which Santiago manages to slay with the harpoon. In the struggle, the old man loses the harpoon and lengths of valuable rope, which leaves him vulnerable to other shark attacks. The old man fights off the successive vicious predators as best he can, stabbing at them with a crude spear he makes by lashing a knife to an oar, and even clubbing them with the boat’s tiller. Although he kills several sharks, more and more appear, and by the time night falls, Santiago’s continued fight against the scavengers is useless. They devour the marlin’s precious meat, leaving only skeleton, head, and tail. Santiago chastises himself for going “out too far,” and for sacrificing his great and worthy opponent. He arrives home before daybreak, stumbles back to his shack, and sleeps very deeply.

The next morning, a crowd of amazed fishermen gathers around the skeletal carcass of the fish, which is still lashed to the boat. Knowing nothing of the old man’s struggle, tourists at a nearby cafĂ© observe the remains of the giant marlin and mistake it for a shark. Manolin, who has been worried sick over the old man’s absence, is moved to tears when he finds Santiago safe in his bed. The boy fetches the old man some coffee and the daily papers with the baseball scores, and watches him sleep. When the old man wakes, the two agree to fish as partners once more. The old man returns to sleep and dreams his usual dream of lions at play on the beaches of Africa.

- Rahul Sharma
Roll No. 34

literature

MY SON THE FANATIC.

My Son the fanatic is a short story of an immigrant from Pakistan. The underlying theme of this novel is the struggle of the asian immigrants face in an alien society which refuses to accept them, treat them as equals and the ways in which they deal with the alienation. There is a sharp contrast in the way Pervez and his son Farid deal with the sense of belonging and being a part of society.
With all the compromises and loses Pervez suffers in his migration; he appears to take them as a part of his experience and adventure of life; to him it seems to be worth the price. He mentions how better his life has been in comparison to having stayed back. He refuses to acknowledge the cold behavior of the local British.

His son Farid on the other hand seems to have considerable anger and is not disillusioned by the British cold behavior. He finds the society constraining, limiting and degrading and feels to be a victim in his country. Having been excluded he is tempted to exclude others. He finds comfort with his own people and gets attached towards Islam. Having been brought up in secular Britan , he would turn the to a form of belief that denies him the pleasure of society in which he lived. Having devoted his life to pleasure: the pleasure of sex, music, alcohol and friends; he detracts and spends time in abstinence; for in abstinence he felt strong.

Hanif in his short novel has touched the conflicts a lot of asian families feel having migrated to a foreign country. He has outlined the characters brilliantly and this is most certainly a very entertaining novel to read.

ASHWIN KURUP
ROLL NO.20

literature

Literary analysis: The Handsomest Drowned Man in the World.

A Response to "The Handsomest Drowned Man in the World"
Gabriel Garcia Marquez's short story "The Handsomest Drowned Man in the World" starts with the children playing on the beach with the waterlogged body of a dead man and ends with the town changing the appearance of their doors and buildings to honor this dead man they never knew. For the purposes of this essay, I want to focus on the metaphor of celebrity culture found in this "handsomest drowned man in the world" and this town's reaction to him.
This dead stranger, who "has the face of someone called Esteban," according to the oldest woman in the town, is treated to a cleaning by all the women in this town. They notice the vegetation and dirt they are rubbing off of him is from "faraway oceans and deep water". He is not one of them. This adds to his mysterious, exotic nature. They clean him up and stitch him a set of clothes. Then, they sit around him, fascinated by his huge size and his beauty". Oftentimes in our culture, celebrities live lives completely removed from ours, yet people sit around fascinated by them. They endlessly discuss their beauty, their clothing, and what they do with their time. And here, we have this same thing happening. This handsome drowned man who lived his entire life completely removed from this tiny village is suddenly now almost being worshipped by the villagers. They imagine him having the best house and the "happiest woman" for his wife. They imagine that "he would have had so much authority that he could have drawn fish out the sea simply by calling their names". This larger-than-life, skewed view of this man is similar to our culture's view of celebrities.
Finally, in our culture's obsession with beauty and glamour, it is often tempting to compare our significant others with the Brad Pitts or Angelina Jolies of the day. In the same way, the women in this tiny little village look upon Esteban and "secretly (compare) him to their own men, thinking that for all their lives (their own men) were incapable of doing what (Esteban) could do in one night". They make assumptions based on Esteban's looks and begin to fantasize about his accomplishments. This causes a great deal of discontent with the men in their own lives, the men who have most likely loved them and provided for them. Now, a handsome (but still very much dead) man shows up on their beach, and the women decide he beats their husbands and brothers hands down. They become enamored with his looks and the strength he most likely possessed and seem to be willing to trade away the men in their lives now. They see him as "the most peaceful and most obliging man on earth," when in all reality, he was just a man. He had his own faults and shortcomings, but none of the women in the village seem to comprehend this. They see him as perfect. This is a sad comment on celebrity culture this idea that there is that ideal of perfection in another human being. All faults are glossed over, and only Esteban's exotic, mysterious, faade of perfection is left for the villagers to mourn.

ASHWIN KURUP
ROLL NO. 20